We’re very happy now that The Silver Case is available to you, the fans! I hope you will find it a unique and satisfying experience! Making a game is a difficult and complex process, and I want to take this devlog as a chance to say thank you to Read More …
Today I’d like to go over the “Film Window” system, why it’s important, and provide some basic info about how it works. The 1990s was a boom for text-driven games across many different genres. From RPGs to point-and-click adventure games–text ruled the 1990s. The problem with that is Read More …
Hello everyone! Welcome to the next entry in The Silver Case devlog! This is Douglas again. Today I’d like to go over the 3D graphics in The Silver Case as well as the changes we are making in that area. The graphics of the original game was partially limited due Read More …
Continuing from Part I, the second reason why this game was so difficult to localize is, put simply, cultural. The game is set in the year 1999, which was, once again, a bunch of years ago. It’s also generally very realistic in its setting (for the most part; as Read More …
Nice to meet you all, my name is James R. Mountain, and I’m the guy who translated the entirety of the Japanese text for The Silver Case into English. In my field, we refer to this as “localization”. Say it with me now: “loh-cuh-lie-ZAY-shun”. The term “localization” is derived from the Read More …
Hello Everyone! I’m Active Gaming Media’s (AGM) Douglas Watt, and I am currently helping lead “The Silver Case” HD Remaster project. This is our first DevLog, and today we would like to introduce Grasshopper Manufacture Inc.’s “The Silver Case”. Who Is Grasshopper Manufacture? Many of you are probably already familiar Read More …
